![]() Liner notes and texts for vocal music stymied the top Silicon Valley geniuses.Įntertainment & Arts Commentary: How two top directors are teaching Europe the L.A. Apparently, no one could figure out how to give streaming listeners the full name of a composition, its movements or the performers. The download/streaming infrastructure was conceived specifically to accommodate the pop song, leading to clunky software that struggled to cope with diversity. For primarily commercial reasons, technological transformation was no longer democratically genre-neutral. The CD digital sampling rate was selected so that a specific Herbert von Karajan Berlin Philharmonic recording of Beethoven’s Ninth Symphony could fit on a 4.72-inch disc.īut that leadership came to an end with the iPod and iTunes, with mp3 digital downloads and the streaming that was to follow. The Walkman was the brain child of a Sony executive who wanted a private way to drown out his kids’ pop music and listen to chamber music in peace. The LP came about because symphonies, sonatas and operas required dozens of 78-rpm discs. The first bankroll-able recording stars were classical artists such as the operatic tenor Enrico Caruso. The history of classical music is that of progress, be it advancements in harmony and form, the invention and development of instruments, or the technological innovations of recording and broadcasting.
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